VISUAL
SUMMER 2025
Michaela Farrington
Eastern Spinebill (Acanthorhynchus tenuirostris)
Birds have always been part of my life’s landscape. As a child, I spent my summer holidays slipping into the hush of the bush with a pair of binoculars and a head full of hope. Those solitary walks taught me how to listen and to notice not just movement, but stillness.
Galahs (Eolophus roseicapilla)
Now, with a camera in hand, I follow the same instinct. I find joy in the first light catching on feathers, in the blush-pink of a galah rising into the sky, in the soft clatter of wings, and in the music of birdsong threading through the trees.
Tawny Frogmouth (Podargus strigoides)
Bird photography, for me, is about rhythm: the daily rituals of flight and foraging, the shifting light, the slow turning of the seasons. I am drawn to both the dramatic and the everyday: a black-shouldered kite hovering in still air, a tawny frogmouth disguised in plain sight, a little wattlebird clinging to the underside of a golden banksia flower. Or the fine dusting of pollen across an eastern spinebill’s face after it drinks from a pink Correa bloom, a fleeting exchange between bird and flower that speaks of deep, ancient ties.
Little Wattlebird (Anthochaera chrysoptera)
There’s something meditative in birdwatching, a stillness that slows the breath and sharpens the senses. It draws me out of my own head and into the living world. Waiting quietly, alert to every flutter and call, I feel anchored in the moment. Each encounter is a reminder to pay attention, to be present, to look and listen with care.
Black-shouldered Kite (Elanus axillaris)
I try to blend into the bush, to tread lightly, watching birds go about their day. But often, I find myself being watched in return. Some of my favourite moments are those rare instances when a bird meets my gaze, steady, unafraid. We share a stillness then, a hush that feels like its own language.
Pink Cockatoos (Cacatua leadbeateri)
Sometimes that gaze is solemn, sometimes full of mischief, like the emu who peered straight down my lens, entirely unfazed, as though wondering what kind of bird I might be. These moments remind me that birds are not only beautiful, they are full of character, presence, and agency.
Emu (Dromaius novaehollandiae)
Birds offer me both delight and solace. Their beauty is vivid, their ancient songs layered, their presence, or absence, a quiet message from the land itself. I see them as barometers of balance, whispering truths about the health of our world.
White-plumed Honeyeaters (Ptilotula penicillata)
When I photograph them, I feel hope. Hope that we can still listen, still notice, still act. For my young son, and for the future we all share.
Michaela Farrington
Michaela Farrington is a Melbourne-based writer and bird photographer with a background in science and journalism. Her work explores the colours, calls, and quiet rhythms of birdlife as a way to bear witness to beauty and advocate for the wild world we all depend on. You can find her on instagram @melbournebirds.