Visual

SUMMER 2023

Jason R. Montgomery

 
 

Calexico

 
 
 
"Death of Lake Cahuilla" is an immersive exhibition that delves deep into the historical and ecological transformation of Lake Cahuilla, now known as the Salton Sea in the Imperial Valley of California. Through a captivating array of artworks and installations, I shed light on the profound impact of colonization and environmental degradation on the land and its Indigenous communities.
 
 

El Centro

El Centro II

 
 
This exhibition is a poignant exploration of the interconnectedness between history, culture, and the environment. My pieces invite viewers to reflect on the fading memories and stories connected to the lake and the surrounding area, evoking a sense of loss and contemplation. Through various mediums, including painting, digital artwork, sculpture, and multimedia installations, I strive to capture the emotional weight attached to the transformation of Lake Cahuilla.
 
 
 

Brawley

 
 
 
In these collages, I combine various traditional and digital techniques to create layered compositions that reflect the themes and concepts explored in the exhibition. The process begins with gathering source materials, including vintage periodicals, archival documents, maps, and other relevant imagery. Using a combination of analog and digital methods, I manipulate and transform these source materials, merging them together to create new juxtapositions and symbolic connections. Through digital alterations, such as blending, layering, and applying filters or textures, I manipulate the images to evoke a sense of history, memory, and transformation.
 

Naval Air Force Base, El Centro

 
I incorporate additional elements, such as paint, ink, found objects, or handcrafted textures. These tangible materials add a tactile quality, further blurring the boundaries between the physical and digital realms. The resulting collages serve as visual meditations on the themes of the exhibition, capturing the complex interplay between past and present, natural and man-made, and the fragility of cultural and ecological landscapes. They invite viewers to contemplate the layers of history, the impact of human intervention, and the potential for renewal and regeneration.
 
 
 

The Valley

 
 
 
Central to the exhibition is the theme of resilience. I showcase the ongoing efforts of the Indigenous community to reclaim their cultural heritage and restore the delicate balance of the land. My artworks act as powerful symbols of hope and renewal, inviting viewers to consider the importance of cultural preservation and environmental stewardship.
 
 

Shoreline I

The Boardwalk

No Trespassing

Shoreline III

 
 
"Death of Lake Cahuilla" not only aims to raise awareness but also to foster meaningful dialogue about the preservation of Indigenous cultures and the urgent need for sustainable practices. I hope to spark empathy and inspire viewers to actively engage with these pressing issues, igniting a desire for positive change.
 

Imperial

 
 
 
These works are a deeply personal and immersive exploration of history, ecology, and cultural resilience. I invite viewers on a transformative journey, encouraging them to reflect, connect, and take action towards a more sustainable and inclusive future.
 

Heber

 
 

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Jason R. Montgomery

Jason R. Montgomery, or JRM, is a Chicano/Indigenous Californian writer, painter, public artist, and playwright from El Centro, California. In 2016, along with poet Alexandra Woolner and illustrator Jen Wagner, JRM founded Attack Bear Press in Easthampton, Massachusetts. Jason’s work engages the cross-section of Chicano/Indigenous identity, cultural hybridization, post-colonial reconstruction, and political agency. His writing and visual art bridges the aesthetics and feel from the early cubist collage movement and the Russian abstract movement of the 1920s with living and historical Native/Indigenous Californian and Chicano art traditions to explore the post-colonial narrative through active synthesis and guided (re)construction. Along with numerous public grants from the Masscultural Council and the Community Foundation of Western Mass, Jason is the recipient of both the New England Foundation for the Arts Spatial Justice for Public Arts and Collective Imagination for Spatial Justice Grants. JRM’s art has been displayed at the Augusta Savage Gallery, the Creative Arts Workshop, Umass Boston, and many others. JRM’s work has appeared in Split Lip Magazine, Storm Cellar, Ilanot Review, and other publications. They are also the founder of the annual Holyoke Community Ofrenda, the police transformation group A Knee is Not Enough (AKINE), and various public engagement projects.