Christopher Johnson's love of nature grew during many hours on trails in Massachusetts and New Hampshire. He has continued to hike and observe since returning to his native Illinois. He also taught English and edited textbooks for many years. He is the co-author of Forests for the People: The Story of America's Eastern National Forests, published in 2013 by Island Press.
Kathleen Hellen is the author of the collection Umberto’s Night, winner of the Jean Feldman Poetry Prize, and two chapbooks, The Girl Who Loved Mothra and Pentimento. Her poems have appeared or are forthcoming in Barrow Street, The Massachusetts Review, The Nation, North American Review, Poetry Daily, Poetry East, Prairie Schooner, the Sewanee Review, Southern Poetry Review, Witness, and elsewhere. Recipient of the Thomas Merton poetry prize, the H.O.W. Journal poetry prize, and twice nominated for the Pushcart, she teaches in Baltimore.
Kelsey Swintek is a writer, photographer, and artist who resides in New York City. Her work is featured on the cover of the inaugural print issue of The Hopper. Her website is www.kelseyswintek.com .
Kristen M. Ploetz
Kristen M. Ploetz is a writer and former land use attorney living in Massachusetts. Her work has been published (or is forthcoming) with Hypertext Magazine, Swarm Literary Journal, Gravel, The Healing Muse, The Washington Post, The Humanist, Modern Farmer, and elsewhere. Her essay, "When the Cardinal Takes Flight," appeared in the 2016 print issue of The Hopper. She is currently working on a collection of essays and short stories. You can find her on the web (www.kristenploetz.com) and Twitter (@KristenPloetz).
Eric Fisher Stone
Eric Fisher Stone is a graduate student at Iowa State University's MFA in Writing and the Environment program. His poems have recently appeared in Borderlands: Texas Poetry Review, The Lyric, Yellow Chair Review, Turtle Island Quarterly, Uppagus, Zetetic, and Jersey Devil Press, among several others.
Candace R. Craig
Candace R. Craig was raised in the suburbs of Cleveland, Ohio, an underdog city that is the nation’s armpit to some, but fertile soil for her. It was there she learned to appreciate the importance of place in shaping one’s personality and where she indulged in great music, the arts, historic cemeteries, and cycling along the Erie Canal. A veteran teacher of writing, Candace recently published two pieces in peer reviewed journals, has a monograph on the films of David Lynch under contract with Lexington Books (a division of Rowman & Littlefield), and regularly draws upon her teaching experiences for the design of a series of “Craig’s Notes” classroom literature guides. Candace currently thrives in the exalting Colorado landscape with her philosopher husband and spritely canine son, King Oberon. Visit CandaceCraig.org to read more of her creative writing.
Ellie Rogers graduated from the MFA in Creative Writing program at Western Washington University in Bellingham, WA. Her poems have appeared in Camas, Crab Creek Review, Floating Bridge Review, Midwestern Gothic, and Redivider. She has served as the assistant managing editor of Bellingham Review, as a board member of the Whatcom Poetry Series, and as chair of the Boynton Poetry Contest Committee.
Alice Thomas is an artist and poet. She lives in western Massachusetts and on Long Island, New York. Her art has been shown in Greenfield, MA, and Manhasset, NY. She reads at various locations in the region and was a winner in the 2014 Poet Seat Contest. Her series, River Rooms, will be on display as a solo exhibition in January–February 2017 in Turners Fall, MA.
Michelle Menting is originally from the upper Great Lakes region, where she grew up the youngest of twelve siblings in a small cabin in the woods. Her poetry and prose can be found in Harpur Palate, DIAGRAM, The Southeast Review, PANK, Bellingham Review, Midwestern Gothic, decomP, Connotation Press, The MacGuffin, and other places, including the chapbooks Myth of Solitude (Imaginary Friend Press) and Residence Time (Dancing Girl Press). A recipient of scholarships from Sewanee and Bread Loaf writers’ conferences, Menting earned her MFA from Northern Michigan University and her PhD from the University of Nebraska. She currently lives in northern New England.
Ted Kooser is the author of numerous collections of poetry and books of nonfiction. His many honors include two NEA fellowships in poetry, a Pushcart Prize, the Stanley Kunitz Prize from Columbia, the Boatwright Prize from Shenandoah, the Pulitzer Prize, and an appointment as US Poet Laureate, which he served from 2004 to 2006. He is a professor in the English department at the University of Nebraska-Lincoln.
Rebecca Bevans is presently studying ecology as a graduate student and has spent the past several years working on farms, trail crews, and conservation crews. She is happiest when spending time outside running or hiking and gathering ideas for her next writing project. She wants to be an advocate for ecologically centered community planning and agricultural reform when she grows up.
John Grant was born in Dublin, Ireland, with an innate passion for the creatures sharing our planet. Encouraged by a father knowledgeable in Irish wildlife and nurtured by a mother tolerant enough to accept his mud-covered returns from hedgerows and estuaries, he grew into a dedicated birdwatcher and eventually a professional zoologist. John has exhibited with the Irish Federation of Wildlife Artists and contributed illustrations for the first issues of the annual Irish East Coast Bird Report. Following his move to Australia in 1983, art took a back seat to his postgraduate studies and later his teaching and research work in north Queensland. Now, he explores the natural world through both photography and painting. More artwork can be viewed at http://www.johngrantartist.com/.
Emily K. Michael
Emily K. Michael is a blind poet, musician, and writing instructor living in Jacksonville, Florida. Her poetry and essays have appeared in Wordgathering, The Hopper, Artemis Journal, The Deaf Poets Society, Compose Journal, Rogue Agent, Disability Rhetoric, Breath & Shadow, Bridge Eight, Narrative Inquiry in Bioethics, I Am Subject Stories: Women Awakening, BREVITY’S Nonfiction Blog, and Mosaics (Vol. 2). Emily’s work centers on the themes of ecology, disability, feminism, and music. She is committed to challenging the divisions between human and nonhuman experiences—especially how a more-than-human world contributes to music and language. She develops grammar workshops for multilingual learners and participates in local writing festivals. Find her on Twitter @ModwynEarendel and at her blog On the Blink. Enjoy her poem, "Kiwano," from Natural Compliance, below.
Ellene Glenn Moore
Ellene Glenn Moore is a poet living in sunny South Florida. She earned her MFA in creative writing from Florida International University, where she held a John S. and James L. Knight Foundation Fellowship in Poetry, and her BA in creative writing from Carnegie Mellon University. Ellene has been the recipient of a residency at the Studios of Key West and a scholarship to the New York State Summer Writers Institute. Her work has appeared or is forthcoming in Raleigh Review, Brevity, Best New Poets, Spillway, Chautauqua, Ninth Letter, and elsewhere.
John Saad lives and works in Birmingham, Alabama, with his wife and their two dogs. His poetry has appeared recently in Kudzu House and ISLE. He is the state winner of the 2014 Hackney Literary Award for Poetry. This fall, he will move to Virginia to begin his MFA at Hollins University.
Sean Prentiss is the author of the memoir, Finding Abbey: a Search for Edward Abbey and His Hidden Desert Grave, which won the 2015 National Outdoor Book Award for History/Biography and is a finalist for the Colorado Book Award for Creative Nonfiction. Prentiss is also the co-editor of The Far Edges of the Fourth Genre: Explorations in Creative Nonfiction, a creative nonfiction craft anthology. And he is the co-author of the forthcoming environmental writing textbook, Environmental and Nature Writing: A Craft Guide and Anthology. His essays have won honorable mention in The Atlantic Monthly’s Graduate Student Writing Contest and won Fugue’s nonfiction contest, and he has been awarded the Albert J. Colton Fellowship for Projects of National or International Scope. He lives on a small lake in northern Vermont and serves as an assistant professor at Norwich University.
Heather E. Goodman
Heather E. Goodman’s fiction has been published in Gray’s Sporting Journal, Hunger Mountain, Terrain.org, Flyway: Journal of Writing & Environment, Shenandoah, where her story was awarded The Shenandoah Fiction Prize, and the Chicago Tribune, where her story won the Nelson Algren Award. She lives in a log cabin along a creek in Pennsylvania with her husband Paul and pooch Leo. Please visit: www.heatheregoodman.com.
Beth's poetry has appeared in journals such as Terrain.org, Watershed Review, Camus, and Southern Humanities Review. Her chapbook, How to Leave a Farmhouse, was released last fall from Porkbelly Press. She is the Poetry Editor for Kudzu House Quarterly and a visiting assistant professor of English in Joliet, IL.
Jess Weitz lives in Marlboro, Vermont. She is currently working in mixed media, combining painting and poetry. She studied photography with Stephen Shore and Larry Fink at Bard College, using an 8x10 view camera for most of her work. She has taught photography to children and teens using The Literacy Through Photography model developed by Wendy Ewald. She holds a master's degree in library science. Her website is www.jessweitz.com.
Jeremy Nathan Marks
Jeremy Nathan Marks is a writer, teacher, and researcher living in London, Ontario. His poetry and photography has been published in Lake, Up The Staircase Quarterly, The Blue Hour, Futures Trading Lit, Front Porch Review, Dove Tales, EgoPhobia, Proost Poetry Anthology, Eunoia Review, and The Electric Windmill Press.
Emily K. Michael
Emily K. Michael is a blind poet, musician, and college writing instructor from Jacksonville, FL. Her poetry and essays center on the themes of ecology, disability, feminism, and music. She is especially interested in challenging the divisions between human and nonhuman experiences—especially how a more-than-human world contributes to music and language. You can read her previous work in Wordgathering, Breath & Shadow, Artemis Journal, Disability Rhetoric, I Am Subject Stories: Women Awakening, and Bridge Eight.
Last year, Hannah deferred her undergraduate enrollment at Washington University in St. Louis, MO (where she will be attending come fall) in favor of a gap year between high school and college. She is currently traveling, volunteering, and writing in Indonesia, the Galapagos Islands, and the States. Hannah's work has previously been published in publications such as The Best Teen Writing of 2015, The American Library of Poetry's editions of Accolades and Eloquence, and in Sarah Pepper's novel Snow White Lies.
Jesse Curran received her PhD in English from Stony Brook University, where she currently teaches courses in literature, writing, and the environmental humanities. Her poetry and essays have been published in numerous journals including The Journal of Sustainability Education, Green Humanities, Blueline, The Fourth River, About Place, Hawk & Handsaw, and The Common Ground Review.
Fatma Benkirane was born in Saint-Louis, Senegal, in 1962. She has exhibited work in France, Canada, and Morocco and published in the United Colors of Benetton’s spring 2014 collection. She also participated in the “In” of the International Biennal of Contemporary Africa Art of Dak’art at Dakar, Senegal, in May and June 2014.
RIta Orrell is a design journalist with an MA in creative writing from CUNY/Queens College. Her chapbook of poetry, Stuck in the Dream Wheel, was published by Finishing Line Press. Her first design book, Objects of Desire, is forthcoming from Schiffer Publishing in March of 2016.
Nicholas Littman has worked as a biological observer on a crab boat in the Bering Sea, ranched in Montana, and tapped maple trees in the Northeast. All these jobs have nudged him a bit closer to finding his vocation, though he knows once he’s found it, it is likely to change. He currently lives in Montana with his wife, where he recently completed an MS in environmental studies from the University of Montana. More of his work can be found in Camas: Nature of the West.
Lydia Boehm is an artist living and painting in Brooklyn. She works with Bonhams auction house in the postwar and contemporary art department and, last spring, participated in Bushwick Open Studios. Lydia has studied with Columbia university in the city and in Paris, the Tyler school of Art in Rome, and at Oberlin College. She is currently applying to MFA programs in painting. Visit her website at www.lydiaboehm.com.
Rodney Nelson's work began appearing in mainstream journals long ago but he turned to fiction and did not write a poem for twenty-two years, restarting in the 2000s. So he is both older and "new." See his page in the Poets & Writers directory http://www.pw.org/content/rodney_nelson for a notion of the publishinghistory. He has worked as a copy editor in the Southwest and now lives in his native North Dakota. Recently, his poem "One Winter" won a Poetry Kit Award for 2011 (U.K.); it had appeared in Symmetry Pebbles. His "Upstream in Idaho" received a Best of Issue Award at the late Neon Beam (also England). The chapbook Metacowboy was published in 2011; another title, In Wait, in November 2012. Bog Light and Sighting the Flood have just appeared. The chapbook Fargo in Winter took second place in the 2013 Cathlamet Prize competition at Ravenna Press in Spokane. Directions From Enloe won third in the Turtle Island Quarterly contest. Nelson's chapbook of prose narratives, Hill of Better Sleep, is out from Red Bird Chapbooks. Mogollon Picnic is already in print; and the poetry ebook Nodding in Time (Kind of a Hurricane Press) is "up." The full-length Felton Prairie has appeared at Middle Island Press. Red Dashboard has brought out another, Words For the Deed. Cross Point Road and Late & Later (Atlantean Publishing, U.K.) came out last summer.
Ag Synclair publishes The Montucky Review and edits poetry for The Bookends Review. Widely published around the globe, he flies under the radar. Deftly. A native New Englander, he currently resides in Arlington, Massachusetts, with his partner in crime, the artist and poet, Heather Brager.
Vivian Calderón Bogoslavsky
Vivian Calderón Bogoslavsky is a Colombia native born to Argentinian parents. She holds a bachelor's in anthropology with a minor in history and a postgraduate degree in journalism from Universidad of Los Andes in Bogota, Colombia. She has studied art for over thirteen years with Argentinian art master Carlos Orrea and studies in Florence, Italy, and the USA. Today she is in Madrid exploring her art. Vivian has shown her work in both individual and collective shows in Colombia and the USA. She has been published in multiple books, magazines, and webpages, and has received multiple awards.
THE GREENZINE, ISSUE I, 2015
Audrey Batchelder is from Southern Vermont, where she works on a local dairy and vegetable farm and as an editor at Green Writers Press.
Anthony Chase is a writer and a poet who has traveled the world writing features for Condé Nast Traveler. He has lived in rural Pennsylvania for many years, in a hut where he has worked as a laborer in fields and forests while writing and illustrating the world close by.
Greg Delanty’s Collected Poems 1986-2006 is out from the Oxford Poet’s series of Carcanet Press. Recent books are: The Greek Anthology, Book XVII (Carcanet Press and due from LSU Press), Loosestrife (Fomite Press, 2011), The Ship of Birth (Carcanet Press, LSU 2006), The Blind Stitch (Carcanet Press, LSU Press, 2003) and The Hellbox (Oxford University Press, 1998). He edited (with Michael Matto) The Word Exchange, Anglo-Saxon Poems in Translation (WW Norton, 2010). He has received many awards, most recently a Guggenheim for poetry. His poems are widely anthologized and have been broadcast on The Writer’s Almanac. He is the Poet-In-Residence at Saint Michael’s College in Colchester, Vermont, and an environmental activist with 350.org. He lives in Vermont.
Catherine Dianich Gruver
Catherine Dianich Gruver is a social documentary photographer living in Southern Vermont. She has been the recipient of established artist fellowships and awards and has exhibited nationally. Her body of work, “At Home,” in which she documented her family experience, has shaped and informed all subsequent work.
Peter Biello is a producer and announcer at New Hampshire Public Radio, formerly at Vermont Public Radio. He holds an MFA in fiction from UNC at Wilmington and a BFA from UMaine at Farmington. His journalism has appeared on All Things Considered, Weekend Edition, Day to Day, and This American Life. His creative writing has appeared or is forthcoming in Lowestoft Chronicle, The Drunken Odyssey, Busted Halo, Three Percent, and The Compulsive Reader. He was the founder of the Burlington Writers Workshop, northern Vermont’s largest and most active writing organization, and blogs at burlingtonwritersworkshop.com. On Twitter: @PeterBiello.
Joseph Bruchac is a writer and traditional storyteller whose work often reflects his American Indian (Abenaki) ancestry and the Adirondack Region of northern New York where he lives in the house where he was raised by his grandparents. He and his two grown sons, James and Jesse, who are also storytellers and writers, work together in projects involving the preservation of Native culture, Native language renewal, teaching traditional Native skills, and environmental education. Author of over 120 books in several genres for young readers and adults, his experiences include running a college program in a maximum security prison and teaching in West Africa.
Mathieu Cailler’s work has been widely published in national and international literary journals, including Ardor, Epiphany, and The Saturday Evening Post. A graduate of Vermont College of Fine Arts, he has been a finalist for the Glimmer Train New Writers.
Meredith Davies Hadaway
Meredith Davies Hadaway is the author of Fishing Secrets of the Dead, The River is a Reason, and At the Narrows (forthcoming from Word Poetry, 2015). Her poems currently appear or are forthcoming in Salamander, poemmemoirstory, and New Ohio Review. She is poetry editor for The Summerset Review and was the 2013-14 Rose O’Neill Writer-in-Residence at Washington College. Hadaway was a contributor at the inaugural Bread Loaf Orion Environmental Writers’ Conference.
Tiffany Higgins is author of And Aeneas Stares into Her Helmet (Carolina Wren Press, 2009), selected by Evie Shockley as winner of the Carolina Wren Poetry Prize. She recently was a resident at Art Farm in Nebraska. Her poems appear in Poetry, Kenyon Review, Taos Journal of Poetry & Art, From the Fishouse, and other journals. She writes on ecocultural poetics and is a translator of the work of contemporary Brazilian poets, including Alex Simões.
Richard Jarrette is the author of Beso the Donkey (MSU Press, 2010), which received both the Midwest Independent Publishers Association’s gold medal in Poetry and was a finalist for the Foreward Review’s Book of the Year in 2011. The book was translated into Chinese by Yun Wang. Jarrette lives semi-reclusively in the Central Coast region of California after formative years in Los Angeles and Western North Carolina. His second poetry collection, A Hundred Million Years of Nectar Dances, is forthcoming in April of 2015 from Green Writers Press.
Alexis Lathem is an environmental journalist, editor, and writing instructor. She is the recipient of the Chelsea Award for Poetry, a Vermont Arts Council Grant, and a Bread Loaf scholarship. Her poems have appeared in Hunger Mountain, Chelsea, Spoon River, Saranac Review, Beloit, and other journals. She lives on a small farm in Vermont.
Sydney Lea is poet laureate of Vermont and author of eleven collections of poetry, a novel, and three books of naturalist essays. In 2015, his twelfth poetry volume, No Doubt the Nameless (Four Way Books) will appear, as will What’s the Story: Reflections on a Life Grown Long (Green Writers Press).
Jenny Morse completed her PhD at the University of Illinois at Chicago and currently teaches at Colorado State University. Her poetry has been published in Notre Dame Review, Wilderness House, Quiddity, Yemassee, and Terrain. Her critical work has appeared in Seismopolite, The Montreal Review, The Ofi Press, and the Journal of Contemporary Thought.
Desmond S. Peeples is a Vermont-based writer whose work has appeared in the NewerYork, Squawk Back, Five [Quarterly], and elsewhere. He is the founding editor of Mount Island Magazine. Visit desmondpeeples.com to find out more.
Shona Macdonald received her MFA in 1996 in studio arts from the University of Illinois at Chicago and her BFA in 1992 from Glasgow School of Art in Scotland. She has had selected solo shows at Ebersmoore, Chicago (2012); the Roswell Art Museum, Roswell, NM, (2011); Engine Room, Wellington, New Zealand (2010); Proof Gallery, Boston, MA (2009); Reeves Contemporary, New York (2008); Den Contemporary, Los Angeles (2007); Skestos-Gabriele, Chicago, IL (2005); Galerie Refugium, Berlin, Germany (2002); and Fassbender Gallery, Chicago, IL (1998 and 2000). She has shown in numerous group shows. Her work has been reviewed in Art in America, Art News, LA Times, Chicago Tribune, Chicago Sun Times, Sacramento Bee, and New American Paintings. She has been a Visiting Artist at over forty institutions, including Wimbledon College of Art, London (1998); Georgia State University, Atlanta (2007); Cornell University (2006); the University of Alberta; and the University of Calgary, Canada (2002); Shona Macdonald was the recipient of a grant from the Pollock-Krasner Foundation, NY (2009); a Fellow at Roswell Artist-in-Residence in Roswell, NM, (2010-11); Can Serrat, Barcelona (2012); and the Cromarty Arts Trust in Scotland. She is a Professor of Studio Art and Graduate Program Director at the University of Massachusetts at Amherst.
Tony Magistrale is professor of English at the University of Vermont. His most recent book of poems is entitled Entanglements, published by Fomite Press.
Gary Margolis is Emeritus Executive Director of College Mental Health Services and Associate Professor of English and American Literatures (part-time) at Middlebury College. He was a Robert Frost and Arthur Vining Davis Fellow and has taught at the University of Tennessee, University of Vermont, and the Bread Loaf and Green Mountain Writers’ Conferences. His third book, Fire in the Orchard, was nominated for the 2002 Pulitzer Prize in Poetry, as well as Raking the Winter Leaves: New and Selected Poems. His poem “The Interview” was featured on National Public Radio’s The Story, and Boston’s ABC Channel 5 interviewed him on the Middlebury campus reading his poem “Winning the Lunar Eclipse” after the 2004 World Series. His latest book is Seeing the Songs: A Poet’s Journey to the Shamans in Ecuador.
Jeremy Marks is a poet, writer, and amateur photographer who also works as a self-employed teacher/tutor. His poetry and photography have appeared in numerous publications including Lake: a Journal of Arts and Environment, Up The Staircase Quarterly, Electric Windmill Press, The Blue Hour, the Proost Poetry Anthology, and Wilderness House Literary Review. He lives with his wife, infant daughter, and two rescue dogs in London, Ontario.
Mike Minchin earned his MFA in writing from Vermont College of Fine Arts in 2014. His fiction has received Honorable Mention in Glimmer Train. His stories are forthcoming in Vermont Magazine and Mud Season Review. He lives in Vermont with his wife and two children.
Mimi Morton is a Guilford, Vermont, writer. Her most recent work is a collection of interlinked stories set in Vermont.
A former university associate professor and academic specialist in transcendentalism, Sheila Post is a novelist and essayist who writes about the simple, the natural, the local, and the transcendental in the worlds of New England and Atlantic Canada. Visit her website at www.silepost.com.
CP Surendran has written two novels, An Iron Harvest and Lost and Found. At present he is the Editor-in-Chief of DNA, India’s third-largest selling newspaper. Earlier, he was a senior editor and a well-known columnist with the Times of India. Surendran’s columns in print and in social media elicit a great deal of response, but, gratifyingly, most of it is negative. His poems have been internationally anthologized, and his awards for writing and journalism include Reuters International Fellowship at Oxford, Wolfson Press Fellowship at Cambridge, and British Council Literature Fellowship at Cambridge.
Cindy Veach’s poems have appeared in Michigan Quarterly Review, Poet Lore, North American Review, Chicago Review, Prairie Schooner, Sou’wester, and are forthcoming in The Journal and others. She was a finalist for the Ann Stanford Prize and the recipient of honorable mentions in the Ratner-Ferber-Poet Lore Prize and Crab Creek Review Poetry Prize. Her collection, Thimbleful, was the runner up for the 2014 Zone 3 First Book Prize.
Naima K. Wade lives in Southern Vermont: a poet, performance artist of spoken word, humanities educator, and business owner. She has performed throughout New England, New York, and the Caribbean. She recently was a featured poet with other Caribbean poets and writers living abroad and in the USVI, reading from her collection of poetry, West-Indian-Alien-Yankee Times and Select Spirits. She is the director of the Journey’s End Program Series (JEPS) National Parks Service Underground Railroad Network To Freedom Program, a Vermont Living History and Cultural Literary Program. In the JEPS program series, Naima retells—wearing period costume—the renowned and memorialized life story of the Jessie Daisy Turner Family (1845–1988), who lived in Grafton, Vermont. “Attuned to Non-Interference” is from Autumn Poems, a new collection of poetry written in 2013.
Tim Weed is the winner of a Writer’s Digest Popular Fiction Award and a featured expert for National Geographic Expeditions in Cuba, Spain, and Patagonia. His fiction and essays have appeared in Colorado Review, Gulf Coast, Talking Points Memo, Writer’s Chronicle, Backcountry Magazine, National Geographic’s Intelligent Travel, and elsewhere. Tim teaches at GrubStreet in Boston and in the MFA Writing program at Western Connecticut State University. Kirkus Reviews has called his debut novel, Will Poole’s Island (2014), a “riveting portrayal of early Colonial New England.” Read more at timweed.net.
Lynne Jaeger Weinstein
Lynne Weinstein has worked as a photo editor at Life Magazine. Her photography has been shown in galleries in New England and published nationally. She is the recipient of grants from the Vermont Arts Council and The Vermont Community Foundation. Lynne lives in Putney, Vermont, and teaches photography at the Putney School.
Russ Weis teaches writing, education, and environmental courses at Johnson State College in Johnson, Vermont. He also advises two student environmental clubs and runs an annual summit where teenagers compete for funding to green-up their middle and high schools. His family, friends, students, and colleagues continually inspire him to keep sustainability issues in mind.
Diana Whitney’s first book of poetry, Wanting It, was released in August 2014 by Harbor Mountain Press and became a small-press bestseller. Her personal essays and poems have appeared in The Boston Globe, The Washington Post, The Crab Orchard Review, The Rumpus, Numero Cinq, and many more. A yoga teacher and a lifelong athlete, Diana blogs about motherhood and sexuality for The Huffington Post and runs Core Flow Yoga in Brattleboro, Vermont. Visit www.diana-whitney.com.
Ariel Williams is a graduate of the School of the Art Institute of Chicago. She currently lives in California, where she continues her artistic practice, research, and writing.
As a former associate professor at Cornell and UCLA, Christopher Williams has published two books; Origins of Form is now in its fourth printing. He is an architect, writer, and careful observer of our environment with a powerful desire to communicate his concerns about our future. “The Island” is one in a collection of forty fables and parables that employ old forms of storytelling to grab the attention of a distracted modern audience.